Saturday, October 27, 2018

オールドレンズ擬人化少女

This one even has its own website where you can download all the illustrations from... and you can also have a second opinion on it!

As you may know from some previous reviews, I have a soft spot for anthropomorphizations - and I don't mean furry stuff, which I would gladly set on fire at any time of the day. I am referring to young girl versions of paintings, chairs... that kind of stuff. I just love the way the artist applies the qualities of an item to a fictional look and personality, keeping some design elements while discarding others.



The weirdly titled オールドレンズ擬人化少女 (literally Old Lens Antrophomorphization Girls, 2013), in this department, is as weird as it gets. The 'OldLens' circle, an alliance of dōjin-makers Garnet (illustrations) and Tetsu Sawamura (photographer) features a number of retro camera lenses... as young girls. Yup, that's right. Did you ever wonder what an Olympus Pen F Series would look like, was it a cute delicious loli? Did you, like me, have to search what an Olympus Pen F Series actually is? either way, you're up for a minor, yet entertaining visual treat. 




The rather slim (30 pages) offering is full color, in a rather nice glossy paper. The layout is quite nifty, as it works out as a series of two-page spreads, one page featuring the lens girl, and the other a series of pictures taken with that very lens. I'm no expert on photography - though, to the untrained eye like mine, Sawamura sure seems to have the chops - so I'll comment only on the illustrations, which are excellent. Definitely a bunch of cuties, and one can actually see the parallels between each girl's design, and the lens they are meant to embody. My personal favorite is the Kodak Vest Pocket Auto-Graphic 80mm, mostly because I like steampunk-donning chicks, and because I'm one of those unfortunate souls who think 70s pastel soft focus is the height of human aesthetics. 



Overall, a short but very good collection, which unfortunately seems to be the only common effort Garnet and Sawamura produced. Oh well... 


Tuesday, October 2, 2018

シャリオット by ソウマトウ

As I mentioned in other reviews on this blog, it's not uncommon for dōjin authors to eventually move into the mainstream world of mass published manga - I'm sure most readers of the medium will be familiar with stuff like CLAMP and so on. Today I'll be reviewing a short dōjinshi by one such authors, whom I have actually discovered first as a published mangaka, and then as a dōjin creator...

 シャリオット is a short (36 B&W pages) manga by ソウマトウ (under the name まよいばし), who might be known to some as the creator and artist for the 3-volume series 黒  (2014-2016) - which, if I remember correctly, has been at least partially scanlated into English.



A little girl, cheerful and caring in spite of devil horns on her head (hint hint) runs a tiny circus troupe, consisting of herself and three... malformed shadow creatures is probably the most accurate description. Her success soon rouses the jealousy of a competing youn entertainer, who will stop at nothing to steal the protagonist's spotlight. The latter, however, hides a dark secret, one that will ensure no crime goes unpunished...



Let's get the art thing out of the way first since, to be honest, there is very little to criticize. ソウマトウ's artwork is nothing short of amazing, super-detailed, dynamic, and appropriately cute even when dealing with blood, guts, and dismemberment. Given the wintery setting, the B&W works fairly well, though the artist's often excellent coloring is missed on the cover - which, by the way, is a totally different color in real life. Disregard the pic included.




The story, setting, and atmosphere... well, they're alright, I guess. If you enjoy Tim Burtonesque creepy-cute, slightly gotic, loli guro stuff, you're going to love the everliving crap out of this dōjinshi. I'm not part of this fan club, so the story kind of fell flat for me. We must also consider that シャリオット dates from 2012, and ソウマトウ has come a long way since then, as his traditionally published work demonstrates.

Overall, a stellarly drawn and decently plotted outing. If you want to check out ソウマトウ's best work, however, I really invite you to take a look at 黒 , which features the same excellent art along with a much stronger story and setting.

ひつじ雲の帰り道 by Itodome

 Another purchase entirely made on the cover alone. I was entirely unfamiliar with Itodome (いとどめ), though there is some pretty good stuff to...